


Cole deconstructs the process of knitting itself by utilizing unlikely materials, such as extension cords and shredded American dollars in place of wool, and poles and fork lifts in place of needles. While we associate many of his materials (i.e. kevlar, shotguns, iron, and fiberglass) with pain, aggression, and violence, themes of comfort and domesticity often dominate his sculptures.
Cole’s work simultaneously evokes tension and humor. Visual puns are common, for example in Money Dress and Electric Blanket, as are flags and symbols of war. The domestic process of knitting is often exaggerated or made hyper-masculine.*
* From Spinhandspun Designs Blog
Dress made of shredded dollar bills !!!
"Knitting with Loaded Shotguns (Safties Off)," 2008, spun statuary bronze with 12 gauge shotguns, 72" x 66" x 10".
The Knitting Machine, comprising two excavators specially fitted with massive 20' knitting needles, was one part of a three-part exhibition of Cole's work at the MASS MoCA museum.
Electric blanket
PUFF DADDY'S BABY:
PUFF MAMA'S BABY:
PUFF GRANNY'S BABY
I think the story behind Aviva's Shawl is really moving.
Erika is an older lady, a holocaust survivor who had been sheltered by a family during the war. The lady that saved her also taught her how to knit and crochet.
Many years later, Aviva met Erika while working as a volunteer in Cafe Europa where she provided emotional support for survivors of the holocaust. Erika in return offered to teach Aviva how to crochet, this is the beautiful Shawl Aviva made!